The 5 Mixing Techniques That Will Break Old Paradigms

Warning, these techniques are for advanced music producers

Most YouTube tutorials always talk about the same “secrets”: generating harmonics, using stereo widening techniques, mixing in mono, unmasking frequencies, etc. But the goal of this blog is to address problems that haunt you even after years of trying to achieve the sound of top producers.

I must emphasize again that these techniques are for those who already know much more than just the basics of mixing, as here I will break some paradigms:

• Stop thinking about mixing in isolation: Even the best sound engineers can rarely turn problematic elements into something sonically pleasing. The initial step is to create your sound thoughtfully, making it easier to mix later (if you’re the music creator). If you’re only responsible for mixing and not creating the sound, move on to the next step.
• Mix in frequency blocks: Mixing in mono is undoubtedly helpful as it allows you to work within a limited auditory field before expanding. My technique goes further. To achieve balance and contrast among all elements, it’s essential to add a bandpass filter to your master bus to further limit your auditory field while mixing. First, mix the elements only with the bandpass set between 4kHz and 22kHz. Then continue mixing with the bandpass set between 300Hz and 4kHz. Finally, mix between 0Hz and 300Hz. When you turn off the bandpass, you’ll be surprised and find it easier to work on the entire mix.
• Holistic-Compress elements individually, but not as a group: When you overly compress a group of elements, they become more conflicting. However, when each element is already at its maximum presence individually, they won’t interfere much with the neighboring elements. By “holistically” compressing, I mean using not only compressors but also different types of processes. (I explain this “Holistic Compression” technique in more detail in my Distinctive Audio Mixing.)
• Use less equalization: That’s right! The less equalization, the better. Over-equalizing your sound can introduce artifacts that reduce its definition and clarity.
• Mix your sound with the post-mastering result in mind: Many criticize what I’m about to say, but I’ve developed a method to counter potential downsides. Add a strong limiter to your stereo bus so you can adjust your mix under the influence of a limiter. The possible downside is that your mix may be completely off if you don’t know how to properly adjust this limiter. In my guide State Of The Art Music Production I explain my “Future-Focused Creation” technique, which is essential for both music creation and mixing.

I hope these mixing techniques has been helpful, and feel free to send a DM to our Instagram @dithavic for more advanced tips on music production, art, and creativity in general.